News Archives | Page 11 of 24 | AMS Online

Coronavirus Update March 16th – WE'RE CLOSED

All of our Academy of Music & Sound centres are now closed due to the Coronavirus pandemic.

Exeter, Glasgow, Edinburgh, Southampton and Gateshead will all be closed until further notice.

Our head office Exeter will also be closed with all staff working from home. They are reachable on email. 

Current students: Please keep an eye on the site for updates should this change.

All course material will be available online and our staff will be reachable by email. Take a look at our contact page for relevant email addresses.

~

Please stay healthy and safe as best as possible. Remember, there are some key things you can do, as an individual, to help stop the spread*

  • Wash your hands thoroughly, with soap and hot water for 20 seconds or more - and often
  • Try and pay with contactless where possible
  • Avoid public and communal spaces and facilities including events, and stay at home if you experience any symptoms and call 111.
  • Always wash your hands when you get home or into work
  • Use hand sanitiser gel if soap and water are not available
  • Cover your mouth and nose with a tissue or your sleeve (not your hands) when you cough or sneeze
  • Put used tissues in the bin immediately and wash your hands afterward
  • Try to avoid close contact with people who are unwell

It's also important not to panic too much - this includes buying only what you need from supermarkets - if you buy enough for yourself and your family only, there will be enough. Please think of others.

If you're working in the events, music or arts sectors and you've been effected by the virus, head to our page on advice and tips, and how you can support yourself and others in the scene at this time.

 

*Source: NHS UK.


Four students on inspirations & the music industry, for International Women's Day 2020

We interviewed four Female AMS students about the female artists inspiring them and how they feel about being a woman in the music industry in 2020. 

~

For International Women’s Day 2020 we spoke to 4 female students studying at various AMS centres and on our online programme. They discussed the female artists who have inspired them the most, and spoke about the struggles and obstacles of being a woman in the music business today.  

Are there inequalities? Do they feel that they have the same opportunities as men? What would they like to see change in the industry? 

We spoke to four students; Isla, a Glasgow student, Chloe, a second year vocal student studying in Exeter,  Astrid (who performs under the name Milly Eon), a final year student on the AMS Online production course, and Hannah, a first year Edinburgh HNC student. Each student gave measured and interesting responses, drawing on their personal experiences and wider issues in the music industry – everything from representation, diversity, expectations and opportunity was covered. Interestingly, the largest and weightiest section of the interview comes after we asked the students – “what challenges have you faced within the industry?”

But it’s not all doom and gloom; it’s International Women’s Day and there’s plenty to be celebrated in regards to female talent, progress, and otherwise unrecognised hard work within the sector! The students spoke about some of their favourite female artists and who is inspiring them right now; they also spoke about what they would like to see change in the industry, and commented on the positive progress that is being made.

Dive in and enjoy… Oh, and Happy International Women’s Day. 

~

Which female artists are inspiring you right now?

 

Isla: “Amy Winehouse, Birdy and Ella Henderson have been massive inspirations throughout my music journey so far. Particularly Ella Henderson – she has massively inspired the way I write. I feel her way of writing music and lyrical content is extremely emotive and beautiful.”

Astrid: “Missy Elliot! She’s one of my main influences at the moment. I also love Queen Latifah, although I haven’t heard anything recently that she’s done, but i’ve heard some of Missy Elliott latest tracks, she seems to stay quite relevant which is what I really like about her. She always stays current and I think I draw most of my inspiration from her. She’s my main go-to female producer at the moment.”

Hannah: “Although our voices, image and style are so different, Amy Winehouse has inspired me in many ways. Her singing style is unique, and you cannot categorise her into one genre, which, in my own way, is what I aim for in my career. People know me as an indie-folk singer, but I also like to mix in some blues and soul vibes! What I love about the way Amy sings is how much heart and passion is put into her songs. Her voice is rich with emotion, which is what sets her apart from singers of the same genre. I love the way her songs are brutally honest. They have been written for more than commercial reasons and the emotive way she sings them tells her story, which is what I aim for.”

Chloe: “Beyonce is someone I have always been someone who has inspired me to push myself and believe in myself. She stands up for women’s rights, empowers women and changes people’s lives.. From when she was in Destiny’s Child, to now as a solo artist she’s continued to inspire me with her song writing, morals, family values and singing. She helped me a lot with things like body empowerment, loving myself and realising it’s okay to be different!” 

 

missy elliot women international womens day
Missy Elliot

 

What about when you were getting into music for the first time?


Isla: “I wish I had more female musical influences growing up but unfortunately this wasn’t the case.”


What barriers are there for women in the music industry today?

 

Isla: “Women don’t have as many opportunities within the industry as men, which is extremely disappointing as there are so many young women who have so much drive and passion for being a full time musician, but don’t always have the same chances as men. 

“Sometimes men are seen as ‘more capable’ when it comes to performing and producing – women have different qualities and talents that men don’t. I think so many more women are needed within the industry to help girls who are growing up to understand that the things they’re going through are or were experienced by us as well.”

Astrid: “It’s very male dominated – especially areas like electronic music.”

Isla: “Diversity is so important because it allows everyone to be seen as an individual regardless of gender, race, sexuality… Diversity allows people to be unique without feeling the need to label themselves as something they’re not and this is something in which the younger generations need to be exposed to.”

 

“When I started producing I was often mistaken for the singer. It’s a stereotype in the industry that females are usually assumed to be the vocalist rather than a producer.” 

 

Have you faced any challenges within the industry?

 

Isla: “I have faced many challenges in terms of setbacks both in music and personally, I have struggled massively with my mental health and believing in myself. I have doubted my abilities from time to time but I always take these as learning curves and topics in which I can develop lyrical content from. There are always positives to take from these negative times and many of my favourite songs in which I have written have come off the back of these harder times.

Hannah: “It could be down to the folk genre that I’m part of that attracts lovely and open people, but in my experience, I have always been very welcome as an artist. I have noticed though that the industry seems to attract more males than females in general. For example, in my college, there is a high ratio of males to females. I couldn’t say why this was though!”

Astrid: “When I started producing I was often mistaken for the singer – It’s a stereotype in the industry that females are usually assumed to be the vocalist rather than a producer, there’s a lot of that kind of thing going on! I’ve had people contact me on Soundcloud and say ‘bro how you doing’ – and I’m like woah, I’m a female not a male! What gave you that idea?”

“They are often shocked and skeptical when they find out I’m actually the engineer; there’s quite a lot of scepticism from male singers that I’ve come across, only to find out that they really like my work and they really like how I’m able to tune into their production and their vocals…”

“I guess it goes with the stereotype of assuming women can’t do a male’s job, and then the shock of finding out your production skills! It’s like looking at a female mechanic – you assume it to be a male’s role – and then you find out a female is going to fix your car, so it’s that initial shock, or disruption to your expectation – the seemingly out of the norm…”

“There is so much media influence on the appearance of female musicians – it doesn’t matter about height, weight, acne, scars and stretch marks, or their past. All that should matter in music is the voice and the story the person is trying to tell.”

 

What would you change?

Astrid: “I would like to see a lot more female producers in the industry, I'd like to see a lot of female engineers as well – I don't know why that is the way it is, you know, why it is so male dominated? It's an interesting thing really. 

Isla: “I would love to see more performance opportunities such as on stage at festivals like the Queen Tuts stage at trnsmt festival – who’s to say females can’t be on the main stage at gigs like this? I believe women can bring so much maturity and be the voice for so many people out there who are afraid to speak upon how they feel when addressing certain topics!” 

 

"Who’s to say females can’t be on the main stage at gigs like this?"

 

queen tuts stage tsmt festival international womens day blog
The Queen Tuts' Stage at trnsmt Festival.

 

Is there progress being made for women in the industry?


Isla: “I think progress is being made, but sometimes we are still pushing to be heard which can be difficult , especially for younger women. There is so much media influence on the appearance of female musicians – it doesn’t matter about height, weight, acne, scars and stretch marks, or their past. All that should matter in music is the voice and the story the person is trying to tell. Artists like Billie Eilish are doing it for us women right now, but I feel we all have so much more to give than people could even think.” 

Hannah: “I can’t think of any instances where I have been treated differently because I am female. I am not saying that sort of thing doesn’t exist, but I think we have come so far and it’s great and we should celebrate that.”

Astrid: “From my experience it seems to be still very male dominated, and there seems to be many more female vocalists than there are female engineers or producers. I've not seen many female producers at all.

"I guess it goes back a long way - plenty in history of female inequality! There's still lots of changes to be made. There’s more to be done, definitely.”

 

 

Check out Isla, Chloe, Hannah and Astrid (Milly Eon)'s music on their social channels:

Astrid (Milly Eon): Reverbnation

Chloe: @chloenoel_music

 

Isla: isla_bws4


Hip Hop and Rap short course added to Glasgow programme! Full details of Short Courses 2020

A range of new short courses has been added to AMS Scotland's 2020 programme.

The new short courses will take place in our Glasgow & Edinburgh centres and includes a Hip Hop and Rap workshop, Women's Empowerment and Employability in the music industry talks, and a Digital Synthesis and Sampling course.

Joining the short course team is Steg G, who will be delivering our very first Rap and Hip Hop Workshop covering; lyric writing, beat making, performing and production techniques.

We're very excited about this new addition – and look forward to welcoming Steg to our team.  Hip Hop and Rap is a huge part of music culture, and we are looking forward to including it in our short course provision.  The course is designed to help you with your lyric writing, song structure, production skills, music theory basics and music production techniques with access to industry-standard music production equipment and software.

Other new courses include the follow up to January's Women Employment in the Music Industry workshop; the second instalment of this series will take place in April.

See the full short course programme, includes dates and locations, below.

SOUND PRODUCTION 1 BEGINNERS

Our free Sound Production short course offers a comprehensive introduction to everything you need to know about recording techniques. This includes recording live instruments, MIDI recording, layering, mixing, mastering and more.  With access to industry-standard audio equipment and software, as well as expert tutors to get you up to speed, the course is a perfect introduction to the modern recording industry.

  • Glasgow dates (2020)
    Monday 30th March to Friday 3rd April – full-day classes (Mon- Fri, 10AM – 5PM)
    One week intensive and concluding on Friday 3rd April.
  • Edinburgh dates (2020)
    Sunday 5th of April – full-day classes (every Sun 10AM – 5PM)
    For 6 weeks concluding on Sunday 9th May 2020.Apply HERE

 

SOUND PRODUCTION 2 ADVANCED

Building on the skills and knowledge from our first Sound Production course, this new programme will explore the fundamentals of recording theory and best practice. These classes are focused on exploring the dynamic range of recorded material and equalisation techniques applied to various genres and styles. Towards the end of the course, we will also be exploring employability within the creative industries and various opportunities while working towards a professional portfolio.

It is highly recommended that you have completed Sound Production 1 before applying for the follow-up course

  • Glasgow (2020)
    DATES TBC
  • Edinburgh dates (2020)
    From Saturday 4th of April – full-day classes (every Sat for 6 weeks, 10AM – 5PM)
    For 6 weeks concluding on Saturday 9th May 2020.Apply HERE

 

WORKING IN THE LIVE MUSIC SECTOR SONGWRITING WORKSHOP

These creative classes will focus on improving your songwriting techniques, lyrical writing techniques and also help with improving melodies and chord progressions. As part of the course, you will have to perform your original material in front of other peers which leads up to a final performance towards the end of the course.

  • Glasgow Dates (2020)
    DATES TBCApply HERE

RAP AND HIP HOP SONGWRITING / BEAT MAKING WORKSHOP

Newly added: Our Hip Hop, Rap, & Grime workshop will include making your very own songs, lyrics and exploring various production methods around beat making. This free short-course will provide an introduction to the essentials delivered and curated by award-winning Hip Hop artist, Steg G. By the end of this course, you should feel more confident with your lyric writing, song structure, production skills, music theory basics and music production techniques with access to industry-standard music production equipment and software.

  • Glasgow Dates (2020)
    Monday 6th of April - Friday 10th April – full-day classes (Mon to Fri, 10AM – 5PM)
    Concluding on Friday 10th of April.Apply HERE

 

WOMEN IN MUSIC EMPOWERMENT AND EMPLOYABILITY

Our Women in Music: Empowerment and Employability Course are designed to give you the knowledge, practical awareness and confidence to create your own opportunity’s in life and within the music industry. We want to help you feel confident and use your voice where  “Girls should be seen not heard” is still a dominant mentality. Join us and meet like-minded women, tailor your CV and gain priceless interview skills.

  • Edinburgh dates (2020)
    Four day course, running over two consecutive weekends the 18th, 19th, 25th and 16th of April 2020Apply HERE

DIGITAL SYNTHESIS AND SAMPLING

Our Digital Synthesis and Sampling Short Course offers you the chance to learn how to programme and use an Axoloti synthesiser. On completion of our free course you will even get to keep your synthesiser! Our programme has been developed in-house using the Working in the Live Music Sector framework.

  • Glasgow dates (2020)
    DATES TBCApply HERE

Get to knowNeon Seas band

This Glasgow electro-pop band are hotly tipped for success, and features our very own ex-student Samantha Kelly.

As well as Samantha on vocals, Neon Seas features Davey Purdie (guitar/synthesizer), Calum Brown (guitar/synthesizer) and Craig Harkness (drums). Dead Cells is the latest single from the group to be unleashed. Selected as a Single of the Week on BBC Radio Scotland’s Afternoon Show last month, the band describe it as their heaviest track yet. Check it out below.

The group spoke to Jim Gellatly recently for The Scottish Sun – they spoke about their early influences, the many elements and aspects to their sound, and their love of the Glasgow scene.

Here's some highlight quotes from the Neon Seas interview...

“From the start, we’ve been dancing between genres, dipping our toes in certain textures and ideas from various styles like shoegaze, synthpop and post-punk.

"As we’ve grown, the songs have got bigger sounding and we’ve been more willing to tap into certain ideas you wouldn’t normally hear in alternative pop music.” – Davey

: “We’re really excited to kick off what we hope to be our biggest year yet, by playing in one of our favourite venues. Our plan is to get out there as much as possible and make some new friends. And do what we love doing!” – Davey

“We were all fairly rusty performers at that time, having all been away from playing in bands for a while. It’s been great to grow together as musicians and as mates.” – Davey

"The soaring synths, coupled with infectious rhythms, create a captivating sound." – Jim Gellatly

Neon Seas were winners of Rebel Yell bourbon’s battle of the bands in 2018, they also graced the stage at the legendary Barrowland as part of the Music Matters, Happiness Matters, You Matter gig for mental-health awareness.

Read the full article here.

neon seas interview glasgow ams alumni news music sound


NME features alumni Ollie Southgate from Heavy Lungs in Fender Play online tutorial

More ex-AMS students are appearing in the media this week, with Exeter Alumni Ollie Southgate appearing in a Fender Play online tutorial. The tutorial was shared by industry leading music magazine NME earlier in the week (18 February 2020), as part of its promotion regarding Fender Play – “the app that can teach anyone to play guitar – even music critics.”

Here’s a short extract from the article…

“To celebrate Fender Play, NME invited Ollie from Heavy Lungs to The NME Office to see if he could put Deputy Editor and lapsed wannabe guitar hero Dan Stubbs through his paces.”

“Ollie’s intuitive guitar style is informed by a teenage love of innovative Blur guitarist Graham Coxon, and was developed in secret on his older brother’s guitar (Ollie was supposed to be the bassist). He channels his energy into the Bristol band’s blistering punk songs and fearless live performances.”

Ollie was a student at AMS Exeter about a decade ago. He studied the L3 Extended Diploma back in the day. His band Heavy Lungs, dubbed by Loud and Quiet as “yet another great Bristol punk band”, are another talented up-and-coming group to emerge from the South West.

Check out the full article on the NME website and watch the video in the player below.

 

Want to expand your music skills through online learning? Visit our online platform AMS Online…


Rob Gig with Nick Harper

Listen to AMS Glasgow band Layaway play on BBC Radio nan Gaidheal!

AMS Scotland's very own Layaway band appeared on the BBC Radio nan Gaidheal - a Scottish/Gaelic radio show - just a few weeks ago (January 27th 2020).

The band appeared on broadcaster Rapal's BBC show to play some tunes and chat about the band and their music.

They show has also featured the like of both Quiche and Cloth recently - who both hit it up at our 25th birthday gig in Glasgow last November - plus The Sherlocks and False Friends. Rapal also hosted a Scottish Alternative Music Awards (SAMA) show last year.

Layaway, an alternative rock band hailing rom Glasgow, were also featured on a few Spotify Breakthrough playlists last month, and were featured in Discover Magazine. They said in a social media post sharing the article, "We've been waiting to work with press and the timing couldn't be better. Some very kind words and we're looking forward to pushing this forward."

Have a listen to the full show in the player below...


bbc radio Gaelic layaway ams academy music and sound scotland

 

Listen here


Free 'Digital Marketing for Musicians' Masterclass in Gateshead

AMS Gateshead team up with Plectrumm Social to offer the free marketing session.

 

ams gateshead music masterclass plectrumm social media

We've said it once, we'll say it again. Social media and savvy digital marketing can be an excellent way to enhance your band's profile!

Good news then, Academy of Music and Sound Gateshead have collab'd with Plectrumm to offer a free Digital Marketing Masterclass. Gateshead students - get involved!

Founded by Matthew Wooton, Brighton-based Plectrumm brings a fresh and dynamic take on digital advertising. With over 5 years experience, the team have worked with some of the biggest artists in the game, including Thirty Seconds To Mars, Noel Gallagher, Four Tet and Freya Ridings.

"Born out of the desire to bring a memorable tailored service, Plectrumm's vision is built around growing engaged artist audiences, retaining key data and converting interest into income. With a creative and innovative campaign Plectrumm can help join the dots between the live, recorded and social streams."

~

Brighton.jpg
~

"Proudly based in Brighton, Plectrumm looks to take the industry forward by delivering an untouched standard of e-commerce and advertising, exclusively to the world of music."

"The team are as passionate about breaking talented new acts as they are keen to work with household names. With a developing roster of some of the most exciting new acts around, this ethos fuels the belief that connected digital marketing will break the musicians of tomorrow."

~

Date And Time:
Fri, February 14, 2020
1:00 PM – 2:00 PM GMT

Location:
Academy of Music and Sound, Gateshead
191 High Street
Gateshead
NE8 1AS

Book now

Find out more on Plectrumm's website.


AMS Scotland's Zoe Graham gets interviewed in M Magazine: Read online

"Even if there’s a thundering beat under the track,

somehow, somewhere, folk will still be in there."

 

AMS Scotland alumni Zoe Graham was interviewed for the popular music publication M Magazine recently; Zoe spoke about her early influences, the new direction her music is taking , what's been inspiring her lately, and of course, her experience taking home the prestigious SAMA award towards the end of 2019.

Read the full article below (originally published in M Magazine on 28 January 2020).

zoe graham sama m magazine

____________________________________________________________________________

While there is a distinct contrast between early singles like Hacket & Knackered and her latest offering Sleep Talking, the storytelling nature of her songwriting is persistent amid the sharp electronics.

Despite being at a relatively early stage in her career, it’s a trait that bagged Zoe the Best Acoustic gong at last year’s Scottish Alternative Music Awards (SAMAs).

Possessing songwriting prowess beyond her years, she has steadily forged an impressive reputation in Scotland’s rich music scene.

Following a move to Glasgow, Zoe gigged heavily in the city at venues like The Hug and Pint before securing support slots for acts like Rae Morris at The Art School and a spot on the line-up for the prestigious new music showcase Wide Days.

The shift towards the electronic pop of Sleep Talking is an exciting development in an already impressive young career.

We caught up with Zoe to get the skinny on her new direction, her biggest inspirations and what it felt like to take home the SAMA award…

How did you first get into making music?

Music has always been a big part of my life. For as long as I can remember this is what I wanted to do. My older brother is a conductor and composer and I grew up listening to him blast classical music from his room and learn the piano. It’s easy to see that my brother was the main inspiration for me to then pick up the violin, and then the guitar. With my mum and dad being an actress and artist – creativity was never something to shy away from.

Does songwriting come naturally to you?

I’d say so yes! But that doesn’t make it easy for me. It’s definitely a part of me that I don’t think will ever leave me. But I labour over songs and find it very difficult to finish them. I get distracted and after writing the first verse I get very tired very quickly. That’s why I’ve really been enjoying co-writes. There’s a responsibility to get something finished and an expectation to come away with a finished and demoed song. Where if I’m writing myself, it will take me a couple of days to get around to it all.

How would you describe your music to the uninitiated?

That’s difficult, it’s changed so much throughout the years. My older stuff veers slightly more on the alt-folk side. But the new stuff is more electronic and pop based. However, I feel regardless of the instrumentation or genre I still have a foot firmly in folk music by the nature of my lyrics. They always tell a story and are quite developed. So even if there’s a thundering beat under the track somehow, somewhere folk will still be in there.

What inspirations outside of music impact your songwriting?

I’m a big art lover. My father being an artist, I’ve always been into making things my whole life. My initial plans were to actually go to art school. But instead I found The Academy of Music and Sound and decided to try that out as they had a songwriting course. I’m hugely inspired by the natural world, and I also sometimes like to pop religious themes in my lyrics too. Not in any Christian-rock or god loving kind of a way, I use that language as a leverage to make my statement hit a bit harder. For example, one of the lyrics in my new single Sleep Talking – ‘Judas you are not alone, I am with you.’ This lyric shows how bad I feel, how guilty I feel. But somehow it feels a bit worse when you add Judas into the mix.

What’s the thinking behind your latest track Sleep Talking?

I’m a really bad sleep talker, walker, and I see things in my sleep too. I used to wake up in the middle of the night with an ex-partner lying next to me thinking I had said something I didn’t mean, something horrible or untrue. And I used to really panic that they heard, or just confused if I had even said anything at all. This feeling was so awful that I knew I just had to write about it.

______

Can you tell us a little bit about the motivations behind the track’s accompanying video?

The video is a direct reference to the meaning of the song. I hallucinate in my sleep, I wake up seeing things; so Kieran Howe (director) and I ran with this. The three dancers in the video are my nightly hallucinations, each representing a stage of grief from a break up. Throughout the video we move from dark, to grey to light as I slowly start to accept these stages of grief. At the end I have totally accepted these emotions and they have become pillars to my progression in life, lessons learned. There are also a lot of religious themes in the video too. We used these as stylistic inspirations. For instance, the images of the hands are a nod to ‘The Creation of Adam’, and the final frame of the dancers and I is a reference to ‘The Descendant From The Cross’ by Paul Ruben. Baroque and Renascence art was the main jumping off point for Kieran and I.

How do you think your music has evolved since you first started out?

My confidence has greatly improved my songwriting. I was a very shy kid growing up. With this, I have progressed through quite a few genres. I used to write blues music, then folk music and slowly as my confidence has progressed I now have slid into the territory of more outspoken alt-pop music. Who knows where it could all go next!

How did it feel to win Best Acoustic at the 2019 Scottish Alternative Music Awards?

AMAZING! I’ve been playing gigs since I was 16 and, in that time, I’ve played hundreds of gigs (and that’s not an overstatement). Just like every musician I’ve done a lot of Bad (with a capital B) gigs in my time. Especially as a kid, you can end up getting conned quite a bit. Finally feeling like I had been recognised for my hard work and perseverance was such an amazing feeling. Winning the SAMA has now become a big driver for me to keep on going!!!

Do you have any plans for a full-length release?

…maybeeeee

What’s your take on the Scottish music scene at the moment?

It’s the place to be for new and exciting music. The music coming out of Scotland is genuine and has a real humanity to it. I’m close friends with most of the music scene in Glasgow and parts of the rest of Scotland too. It really feels like the most supportive family. Great music coming out of Scotland right now are Quiche, Russell Stewart, Kitti and VanIves, to name a few.

What’s next for you?

At the moment I’m writing, and trying to create as much music and art as possible. MORE OF THAT PLEASE! I’ll be showcasing my band a bit more this year and playing more shows across the border too.

Zoe Graham forthcoming live dates:
18 April The Poetry Club, Glasgow

This article first appeared on m-magazine.co.uk on 28 January 2020.


Working in the Music Industry? Fast Track to a BA (Hons) in just 12 months

Industry Professionals can now Fast-Track to the final year of a BA, gaining an Honours degree in just 12 months!

We know all too well that for many aspiring musicians, time is precious, and juggling your musical aspirations with life’s other responsibilities can be a big challenge. With that in mind, we have extended our fast-track programme - musicians working within the industry can now Fast-Track to to the final year of a BA (Hons) programme without needing a Foundation Degree or HND. Experience in the industry is enough.

Through our unique Fast Track process, we save you time by rewarding you for your hard work and experiences by mapping these against the earlier years of a BA (Hons) programme. This way, you can achieve a BA (Hons) degree in as little as 2 Semesters full time or 3 Semesters part time, without the need for formal prior qualifications.

You may have extensive experience as a performer, song writer, producer, publisher, tour manager, artist representation, audio engineer, festival organiser, business owner, composer or private teacher, and all of that experience can count towards your fast tracking.

For those interested in developing a career in formal teaching, achieving a BA(Hons) is a must have step in gaining a post graduate certificate of education.  Having an honours degree could also help you progress much more quickly to M.Mus level, which you may need for a variety of careers in the industry such as Music Therapy.

If you've been working predominantly in music for 5 years or more, and you can prove this by submitting a portfolio of musical links and back it up with references, then you could be eligible to fast track straight onto the final year of our BA (Hons) Music & SoundRead more


Privacy Preference Center