Guest playlist, Scottish hip-hop and the best female rappers of all time
We invited Sunny G Radio host Delaina Sepko to write a very special guest blog for us on women and hip-hop – part of a series of features we’re running focused on hip-hop, to mark the start of our new HND hip-hop and rap module. Alongside that, she’s even curated a hip-hop guest playlist for us! It’s an eclectic mix packed with Scottish hip-hop, and classic bangers from some of the best female rappers and MC’s of the past and present – all in the same place. Nice.
Delaina is a music researcher, with her own show on the Scottish radio station Sunny G called ‘Breaks and Beats’. She writes for us about how her passion for hip-hop often conflicts with the sexism engrained in some of it’s content, and how this motivated her to start a gender-balanced hip-hop radio show. Her playlist for us reflects that, a bangin’ mix of Scottish hip-hop’s best talents, and a fantastic array of some of the best female rappers, hip-hopppers and MC’s of all time – the likes of Queen Latifah, Da Brat, Missy Elliot, Lil’ Kim, Roxanne Shante, Salt N Pepa, Little Simz, Eve and Lady Leshurr all feature.
Read her guest blog here, and listen to the playlist in the player below.
About the AuthorDelaina Sepko is a music researcher, radio presenter and life-long hip hop head living in Glasgow, Scotland. She trained as a sound engineer at Sarm West under Trevor Horn, Tim Weidner and Robert Orton and was a finalist for the 2005 Music Week Woman of The Year award for being Sarm’s first female assistant engineer. After working with the Pet Shop Boys, Seal, Tinchy Stryder, Transglobal Underground and Get Cape. Wear Cape. Fly., she earned an MSc and PhD in Information Studies and audio preservation from University of Glasgow. Now she is a contributor to the long form blog Hip Hop Scotland, presents Beats & Breaks on Sunny G Radio every Wednesday from 8-10 PM and uses the show to promote gender equality and showcase Scottish hip-hop.
Website: www.dmfresearch.com
Twitter: @delainasepko
Listen to Beats & Breaks archived shows on Mixcloud.
Guest blog: Delaina Sepko on hip-hop, women and gender-balance in radio
We invited Delaina Sepko to write a very special guest blog for us on women and hip-hop – part of a series of features we’re running focused on hip-hop, to mark the start of our new HND hip-hop and rap module. Delaina is a music researcher, with her own show on the Scottish radio station Sunny G called ‘Breaks and Beats‘. She writes for us about how her passion for hip-hop often conflicts with the sexism engrained in some of it’s content, and how this motivated her to start a gender-balanced hip-hop radio show.
And she’s even curated a hip-hop guest playlist for us too! It’s an eclectic mix packed with Scottish hip-hop, and classic bangers from some of the best female rappers and MC’s of the past and present – all in the same place. Nice.
In May 2020, while the UK was deep into the first COVID lockdown, I started a hip-hop radio show at Sunny G Radio in Glasgow called ‘Beats & Breaks‘. The show is a mix of 90s American hip-hop, modern tracks that have that vibe, a wide range of Scottish hip-hop artists and a lot of discographical information. Every week, I put on all my hats – sound engineer, hip-hop head, broadcaster and music researcher – to make what I have come to think of as another part of my life-long love letter to hip-hop. The first cassette tape I bought with my own money was Ice T’s O.G. Original Gangster. I was 11 years old and ever since then, most of my jobs or hobbies have included hip-hop in some way. 30 years later, I’m still writing that letter every week with Beats & Breaks. But as a woman, hip-hop hasn’t always loved me back.
While it is not the only genre with misogynistic elements, hip-hop has (arguably more than) its fair share. As a teenager in the 90s, it was common to hear male artists and even a few women rapping about violence against females, sexually using or abusing women, and reducing them to victims, subjects or trash. Dr Dre partly built his career off the back of a “bitches ain’t shit but hoes and tricks” image. The artwork for Snoop Dogg’s Doggystyle graphically depicts the fuck ‘em and leave ‘em attitude that runs through every track on the album. Eminen even rapped about killing the mother of his child and riding around in the car with her body propped up in the front seat. All this was hard to hear as a young woman, and while I didn’t automatically discredit these rappers or others like them for their lyrics – Dre was and still is one of my favourite producers – it felt almost impossible to reconcile what I was hearing with my love of the music. Granted, these are some of the more extreme examples from an era of hip-hop when a lot of male rappers asserted their authority through violence and sexual dominance. Not every artist took this route and if they did, it wasn’t always so extreme or degrading but it was always there.

More recently, that overt rhetoric has quieted down and changed to a less violent but equally harmful narrative: ‘she’s good for a female MC/DJ/Engineer/Producer/etc’. Women have always been active in hip-hop and helped build it up from the very beginning. From the late 80s, women like Roxanne Shante, DJ Jazzy Joyce and Baby Love were rapping, DJing and breakdancing alongside and against men and although there were far fewer women taking part, the comparisons were more or less equal. Now there’s a divide between men and women with females working in hip-hop getting paid less, promoted less, praised less and these practices perpetuate the idea that women have less value to the genre. The scales are still tipped in favour of men and after all these years, I still can’t reconcile this imbalance with my love of hip-hop.
Radio airplay is one area where there’s a pretty big imbalance. In August 2020, Linda Coogan Bryne and Womxn In CTRL published Gender Disparity Report: UK Radio that in part surveyed UK airplay of the top 20 songs by domestic artists on commercial stations between 1 June 2019 and 1 June 2020. The report broke down the results by male, female and collaborations and showed that every station assessed gave male artists more airplay than women and some stations were heavily, if not entirely, favouring men. Kerrang! and Absolute Radio, we see you. For example, BBC Radio 1 and BBC 1 Xtra – the two stations in the BBC network you’d be most likely to hear hip-hop – favoured songs by male artists 85% and 76.2% respectively. The effects this imbalance has on female artists are many and profound, with two of the most important being less exposure and less PRS or PPL payments for airplay. Add hip hop’s less than favourable attitude towards women to the general practice of giving women less radio airtime and you’ll find that there aren’t many hip hop shows that play female artists, fewer fronted by female presenters and almost none that present a gender-balanced track list.

At points during the last 30 years, I thought it would be better for me – particularly my peace of mind and self-esteem – to just give up on hip-hop. Why continue to love the music and to work in the industry when I had to put in 3 or 4 times the effort just to sit at the table and get paid less? Some of the worst experiences I had as a sound engineer came from male hip-hop artists that simply couldn’t stomach the fact there was a woman behind the board for their sessions. Sometimes it was awkward when I was mistaken for the studio’s receptionist. Other times it was demeaning. And only once was the name calling accompanied by physical threats. One bad apple doesn’t spoil the bushel – as my gran used to say – and I agree but it sure does give you the boke when you bite into it.
Beats & Breaks is a way for me to stop fretting about all the things I feel are off about hip hop and focus on one thing I could do to help put some of it right: even out radio airplay. At first, I thought I’d just programme a gender-balanced track list and that would be good enough. Normalise it, and not make a fuss. But once I saw the Report’s results, I knew I’d have to be more open about what I was doing. I wasn’t just playing music; I was also giving all hip-hop artists an equal footing on the same platform. As far as I can tell, I host the only female-fronted hip hop show in Scotland and Beats & Breaks is the only one with a gender-balanced track list. I want to be wrong about this. I want there to be other shows I haven’t heard about because I don’t want to hold on to this title.

I understand not every radio presenter has the luxury of playing whatever she or he wants. Commercial stations have much stricter and tighter constraints on what songs their presenters can choose from but as a community radio presenter, I have no such obligations. Beats & Breaks is my opportunity to not just settle the discomfort in my own heart and soul but also to encourage other women to present hip-hop radio shows and generally raise awareness about the airplay imbalance. I realised early on that wasn’t going to happen if I didn’t share what I was doing with Beats & Breaks. I want more women in Scotland involved in hip-hop as MCs, DJs, producers, promoters, sound engineers, radio presenters, event organisers and managers and part of seeing that happen – at least my part – is to reach out to anyone considering those roles and let them know that Beats & Breaks and Sunny G are spaces where the you’ll never be called “good for a female.”
About the Author
Delaina Sepko is a music researcher, radio presenter and life-long hip hop head living in Glasgow, Scotland. She trained as a sound engineer at Sarm West under Trevor Horn, Tim Weidner and Robert Orton and was a finalist for the 2005 Music Week Woman of The Year award for being Sarm’s first female assistant engineer. After working with the Pet Shop Boys, Seal, Tinchy Stryder, Transglobal Underground and Get Cape. Wear Cape. Fly., she earned an MSc and PhD in Information Studies and audio preservation from University of Glasgow. Now she is a contributor to the long form blog Hip Hop Scotland, presents Beats & Breaks on Sunny G Radio every Wednesday from 8-10 PM and uses the show to promote gender equality and showcase Scottish hip-hop.
Website: www.dmfresearch.com
Twitter: @delainasepko
Listen to Beats & Breaks archived shows on Mixcloud.
Save Sunny G Community Radio Station
Help save the people’s station.
Since the closure of their studios in March 2020 as a consequence of Covid 19, Glasgow community station Sunny G has lost significant income streams, resulting in a deficit of approx £30,000. They need your help!
Sunny G is a registered small Scottish Charity with a fantastic team of volunteers. They use Radio / Broadcasting Media / Technology for Community Development. They have launched a GoFundMe page and are asking for donations to help support them.
The following areas have been most effected:
Unable to deliver SQA training.
Advertising and sponsorship income down by approx 70%
Unable to have our regular fundraising gigs and events.

The station’s monthly outgoings include staff costs, licence fees, rent, and utilities are just a few of the monthly obligations that are completely necessary to allow Sunny G Radio to function.
Studio Manager Steven Gilfoyle has been leading the team at Sunny G since April 2020, and has been a founding member since 2001. He believes the station to be the best community radio station in the country. He says: “I would challenge anyone to match us in the breadth of our community radio content and community development that we have provided over the years, considering the lack of resource we have had we always provide a high quality service.”
“We find ourselves trying to survive in an area that contains many of the sectors that have been hardest hit which has destroyed the income streams we used to rely on. We are optimistic that we can see ourselves through this terrible time with the generous help from supporters of the station and the community we serve and work alongside,” he says.
“We have lots of exciting ongoing programming and community development ambitions that take Sunny G into 2021 and beyond.”
They would be extremely grateful for anything you might be able to donate. You can find out more and listen online (if you can’t listen on your FM radio) at www.sunnyg.com.
Listen to new music on the AMS Scotland October playlist!
What a month for releases! You can listen to our October Spotify playlist featuring some of the very best ones, right now...
Summer is gone and autumn is officially here. See in the changing of seasons with our perfect little playlist. Curated by our amazing team at AMS Glasgow, the tracks are packed with new and fresh releases that prove that no-one can stop culture, not even during a pandemic!
Featuring loads of former students and teaching staff at the Academy including, Gordon Robertson - Music, Nicky Murray, Lizzie Reid, Georgia Cécile, Cloth, The Black Denims, Ruby Gaines, Zoe Graham, Melisa Kelly and the Smokin' Crows, Lucia & The Best Boys, Anchor Lane (a cheeky cover there) Rachelle Rhienne and finally KLEOPATRA – it's enough to make you want to stay home, snug and cosy, with some bangin' tunes.
Phew – I think that's just about enough for this cold October day! Dive in and listen now via the player below.
Listen to our Lockdown playlist here, and see more from AMS Scotland on their Facebook page.
More about AMS Glasgow
The districts across Glasgow have their own unique personalities and hidden gems, from their ever-evolving food and drink scene to the iconic architecture. It boasts more than 700 bars, pubs and nightclubs and 7 cinemas. The music capital of Scotland, Glasgow is a recognised UNESCO City of Music. Paired with its unrivaled cutting-edge art scene Glasgow, has an abundance of expression and creativity.
Online learning: Since March we’ve swapped the studio for home and come September we’re confident we’ll be in a great position to offer flexible, online learning to students should we need to. We’re also spreading out, finding new spaces for learning so classrooms can be bigger and class sizes smaller. We were quick to adapt to the changes back in the Spring, and received some hugely positive feedback from our students.
Our Free Short Courses in Scotland are back!
Academy of Music and Sound’s free online short-courses have returned for 2020-21 offering ‘Sound Production’ and ‘Hip-Hop and Rap Beat-making feat. Steg Gilfoyle (A.K.A rap legend Steg G). The courses will be available to everyone living in Scotland.

We’re really excited to be able to bring back our short course programme in the new academic year, now fully adapted and optimised for online execution. This time around we’re brining back some of our favourites. The term kicks off with Sound Production, a week long free short course designed to explore the fundamentals of recording theory and best practice through streamed group classes and individual 1-1 lessons with the guidance of experienced industry professionals. Plus our songwriting course will be back as well as our Women In Music masterclass, previously led by Karyln King and Melisa Kelly.
There’s also the new addition of a hip-hop and rap short course led by Glasgow’s own hip-hop legend Steg G. It comes ahead of our newly announced hip-hop HND Pathway, which will be available for anyone studying the HND with us at either of our Scotland centres.
Each short course includes one to one and group sessions with our faculty and upon completion be posted a certification. All dates and more details for the rest of this year can be found via our dedicated short course page or scroll down for dates already announced.
Applications are open for all dates and you can apply here. If you’d like to speak to our Scotland teams about learning more, you can also get in touch with us at [email protected] for our Edinburgh centre or [email protected] for our Glasgow team.
We look forward to hearing from you all!
Sound Production
Glasgow Dates (2020)
- Starting Monday 21st September and concluding Friday 2nd October.
- Starting Monday 12th October and concluding Friday 16th October.
- Starting Monday 9th November and concluding Friday 20th November.
- Starting Monday 7th December and concluding Friday 18th December.
Edinburgh dates (2020)
- 6 weekend course starting Saturday 5th September and concluding Sunday 11th October.
- 6 weekend course starting Saturday 17th October and concluding Sunday 22nd November.
Hip Hop and Rap
Glasgow Dates (2020)
- Starting Monday 28th September and concluding Friday 2nd October.
- Starting Monday 12th October and concluding Friday 16th October.
Women In Music: Empowerment and Employability
Edinburgh dates (2020)
- This is online course will take place over two Weekends, starting on October 3rd and ending on October 11th.
Apply now
Introducing a new Hip Hop and Rap pathway for our HND in Music
We’re adding a hip-hop and rap specific pathway to our popular HND course in Scotland, with acclaimed rapper Steg G joining the team to lead on the module.
We’re so excited to announce a brand-new instrument specific specialism to our widely-popular HND Music course. Hip-hop and Rap will launch for the upcoming academic year for 2020/21, and will be led by industry professionals.
The course will involve the same care and attention we apply to our contemporary instrument specific classes in songwriting, drums, guitar and more. Uniquely, it will also offer students weekly classes covering songwriting techniques, style analysis and live performance workshops to improve technical aptitude and theoretical understanding.
Our Scotland team have been working diligently with leading industry professionals over the past year to finally provide this course in an area typically overlooked in music education and we hope that we can continue to not only help prospective students reach their own goals but also provide expert industry experience and advice to prepare them for work as a full-time musician and artist.
Joining the AMS team in the near year to help deliver the module is Steven Gilfoyle (otherwise known as Steg G). Steg needs little introduction; he has performed with such acts such as 50 Cent and Kayne West over the years and is widely known in Scotland, having won the SAMA award for best hip-hop artist in 2019.
Steven also works alongside Sunny Govan, a community based radio station based in Glasgow, and has a strong background in community development and education. AMS are so excited for him to be part of the team and look forward to developing and expanding the course alongside him in the years to come.

The Hip-hop and Rap pathway promises:
- Develop and refine your lyric and writing skills
- Improve your live performance and production skills
- Gain experience as a hip-hop artist
Find out more about the HND in Music on the AMS course page.
Why hip hop and rap?
Hip-hop is an under taught and under-acknowledged topic in music education, and indeed other kinds of education. No other mainstream music college or further education centre has a course or pathway dedicated to it specifically, and it’s a gap we really want to fill.
Hip-hop originated in the Bronx in New York City in the 70’s and 80’s in marginalised communities of African Americans and Latinto’s predominantly. The culture has since grown into a global phenomenon and arguably the most commercially successful music genre currently. It has influences in street culture, various other music genres, clothes and fashion, dance, and even hairstyles – this all stems from its cultural origins. Critically, while hip hop must be understood first and foremost as an Afircan American/black genre and culture, the music has taken various forms across the world.
It began as a way for the marginalised to express their condition and experience, it later became more of a commodified global entity. However the power of the forms of hip hop, and rap specifically, as a means of expression is huge – rap involves powerful lyrical play, fascinating linguistic technique; parody, self-reflection,
Emerging recently have been academic fields focusing on hip hop itself, and specifically the role of a “hip hop pedagogy” (teaching). Hip hop pedagogy argues for the use of hip-hop and rap texts (songs, music video, lyrics) in the teaching of other traditional subjects such as literature or history. While this isn’t quite how we will teach it – focusing on more practical aspects of making your own hip-hop music – we hope this critical understanding of the subject will underpin the work we do.
We think it’s an under-valued topic all-round, and we hope we can shine some much needed attention on the benefits and cultural impact of this music form, and help students with other aspects of their music practice.
As we lead up to the start of the HND in September, we plan to bring you much more content surrounding the huge impact of hip hop and rap in the world. Stay tuned!

About the HND in Music
Our unique selling point has always been supporting students with their chosen pathway – the HND, available at AMS centres in Glasgow or Edinburgh, is a perfect example of this.
Accredited by the Scottish Qualifications Authority (SQA), the HND is written in partnership with education professionals and industry experts, reflecting the current music industry and allows for further progression onto higher levels of study, expanding career opportunities and personal development.
All our tutors and staff are working in music, and our courses are both delivered by and written by musicians. With that comes a great community, common goals and an immediate industry focus that you won’t get at your run of the mill college.
- Pathway-specific tuition with professional musicians, now including Hip-Hop & Rap
- Gain a working, comprehensive knowledge of the music industry
- Perform and organise your own gig in collaboration with other musicians
- Compose, arrange and record your own music using industry standard software
- Exclusive access to our Higher Education enrichment programme
- HNC and HND Units
Find out more on the course page.
Our Women in Music online short course is happening next week! Get to know the hosts
Next weekend (20-21 June & 27-28 June) we’re hosting our latest Women In Music short course. This time, we’re online!
Women in Music: Empowerment and Employability is designed for anyone identifying as female who wants to enhance their knowledge, network and toolkit with the aim of being employed in the music industries in any capacity. The 4 day course (spread across two subsequent weekends) will be hosted by industry experts and AMS friends Melisa Kelly and Karlyn King, and is available for anyone living in Scotland over 14 years of age.
On the first day we’ll be covering why the course is necessary and start to reflect on what valuable skills and experience we already have and want to gain, with modern industry context. The second day will focused on creative CV and mock interview skills, while day 3 deals with situations and intro’s to music management. The final day will feature a masterclass with Melisa Kelly (who is a professional singer and songwriter and also teaching day 2).
Melisa Kelly
Melisa Kelly has been working in the music industry for over ten years and in that time she has been a performer, a writer, and a tutor. Her band ‘Melisa Kelly and the Smokin Crows’, have played up and down the country including festivals Eden, and Kelburn Garden Party. Their album ‘Devil’s Luck’ which was solely written by Melisa, featured players from Jools Holland’s R’n’B orchestra and was mastered at Abbey Road studios by Geoff Pesche. She graduated from the Academy of Music and Sound with a BA Hons in Performance Industries (First Class) and went on to tutor for AMS in Vocals, Songwriting, and Employability. Melisa is currently writing her next album and is in the final semester of her Masters from UWS in Songwriting and Music Composition.

Karlyn King
Karlyn King is a Popular Music academic, lecturer and researcher who teaches all over the UK. She leads on modules such as Artist Development and PR, Sound and Culture and Popular Music Debates with a special interest in rock n roll history, here at AMS and at colleges across the UK. She is currently working on a PhD at University of Birmingham exploring the enduring format of vinyl.
She is a regular panel speaker and conference presenter on all things vinyl, including a recent event with UK band IDLES. In her spare time, she has toured as a singer/songwriter/guitarist and works for a subsidiary of Warner Music Group.

Dates announced for Scotland online short courses!
We’ve updated our new free short-course schedule for summer!
Check out dates, times and more details on the courses below.
• 1st June – Sound Production
• 8th June – Sound Production
• 8th June – Hip-Hop and Rap with Steg G
• 20th June – Women in Music: Empowerment and Employability with Karlyn King and Melisa Kelly
Each class is open to anyone currently living in Scotland, and of course, is completely free.
You can apply via the link below or contact our Scotland teams:
[email protected]
The AMS April playlist is here!
We almost forgot about this one...
Don't worry, we're back on track! Our AMS Glasgow monthly playlist series returns, and this time, we've teamed up with a BA (Hons) alumni for a specially curated April edition of our Spotify instalment.
Craig – the head honcho of rock and metal promo crew, Goddamned Promotions – helped us curate our latest beefy playlist. It's a hard hitter, featuring the likes of The Massacre Cave, Black Peaks, Godeater, VEXED, and Dead By Monday.
Need some shredz? Shreds here. ????